Who Owns the Earth?This group show proposes fresh paradigms of land ownership and art making in contrast to the rugged
Roots will take place at Granja Paraiso, a small herbal garden, farm and chicken coop where artist and curator Katiushka
Upstate Art Weekend 2021 Friday August 27-Sunday August 29, 11 AM to 6 PM Christy Gast and Rachel Owens are
Para que haya fiesta tiene que danzar el bosque, un proyecto comisariado por Michy Marxuach en colaboración con múltiples voces
  Owning Earth at Unison Arts is a new outdoor exhibition in the Unison Arts Sculpture Garden.  Duration: June 26,
New Museum artists in residence Ensayos premiered Act I of their experimental ecofeminist drama Cucú and Her Fishes on September 1, 2020
As part of our residency at the New Museum, Ensayos has produced a listening series entitled Hydrofeminist METitations with episodes
New Museum’s Department of Education and Public Engagement presents “Ensayos: Passages,” its first online artist residency, foregrounding the department’s year-round commitment
It’s Necessary to Talk about Trees Polly Apfelbaum, Osi Audu, Julia Bland, Mary Carlson, Nicole Cherubini, Taylor Davis, Christy Gast,
Exhibition at CARPARK, Milani Gallery, Brisbane, Australia Opening: Saturday, 7 September 2019, 5-7pm Closing performance: Saturday, 28 September 2019, 2pm-4pm
Friday April 12, 2019 from 12-1pm at MoMAZoZo's Lyric Theater. Visiting artist Christy Gast will host a Cari-blow-blow "singing practice.” Gast
Visiting Artist Lecture at University of Rochester: 4 PM, March 5, 2019 in the Gowen Room Printmaking Workshop: 9:40 AM

 

Who Owns the Earth?
This group show proposes fresh paradigms of land ownership and art making in contrast to the rugged individualism of much early Land Art.

by Louis Bury
September 8, 2021

Roots will take place at Granja Paraiso, a small herbal garden, farm and chicken coop where artist and curator Katiushka Melo Green resides, located in Germantown, NY.

PRESS RELEASE + INFO

ROOTS

The exhibition, Roots, will feature more than 20 artists from around the world working in different mediums including on-site installation and performance art. The most essential meaning of the word Roots is the basic cause, source, or origin of something. Roots can evoke a wide array of feelings: a primal connection, belonging to a family, and also life and nature. It evokes deep attachment. We invited artists from diverse cultural backgrounds to present a work that questions their personal interpretation of Roots. We spotlight a few local artists, as well, who have, themselves, made their own recent migration from the city and explore their place within their new community and natural setting.

Roots is inspired by the story of a friend from a Mexican indigenous tribe: from generation to generation, a seed is inherited and planted. Within the growth of the forest you can see her literal ancestral roots, the passing of time is seen in each ring of the tree. 

Participating Artists: AES+F, Sama Alshaibi, Laurel Atwell, Maarten Baas, Bayo Alvaro, Antonio Bokel, Miguel Cardenas, Patricia Domingez, Ryan Frank, Christy Gast, Stanton Jones, Cy Melina-Kai Lauz, Mariangela Lopez, Jodie Lyn-Kee-Chow, Alexandra Mabes, Yeni Mao, Katiushka Melo Green, Mor Mendel, Madeleine Roger Lacan, Veronica Santiago Moniello, Sebastian Silva, Caroll Taveras, Van der Kritz, Nick Van Woert, Audra Wolowiec

Performance Schedule

Suggested Donation: $15 per person
First come first serve for programmed events

Friday, August 27th

Our doors open at 2pm. Please park on Wire Rd.

5pm durational performances by Laurel Atwell and Veronica Santiago Moniello. At sunset join us at the barn to experience Cavia, a collaborative performance by Veronica Santiago Moniello and composer, Mike Amacio.

Saturday, August 28th

Our doors open at 12pm. Please park on Wire Rd.

4pm performance by Mor Mendel

5pm performance by Mariangela Lopez

5pm durational performance by Veronica Santiago Moniello

6 & 7pm performance by Jodie Lyn-Kee-Chow

7:15pm join us at the barn to experience Cavia, a collaborative performance by Veronica Santiago Moniello and composer, Mike Amacio.

8pm let’s celebrate and dance!

Sunday, August 29th

10am Somatics Movement Workshop by Mariangela Lopez (registration required)

All day durational performance by Veronica Santiago Moniello

12pm performance by Mor Mendel

1pm performance by Katiushka Melo Green

4:30pm sound bath by Caroll Taveras

7pm join us at the barn to experience Cavia, a collaborative performance by Veronica Santiago Moniello and composer, Mike Amacio.

Upstate Art Weekend 2021

Friday August 27-Sunday August 29, 11 AM to 6 PM

Christy Gast and Rachel Owens are sculptors who both recently moved to Victorian houses two doors down from each other at the center of Amenia, NY. For UAW, they will team up to present open studios and group shows on their properties. 

Both artists use their homes as live/work spaces in the tradition of David Ireland’s 500 Capp Street in San Francisco. Artworks are created and installed in every room of these Queen Ann-style Victorian homes, which are ever-evolving workspaces for the artists. The gardens surrounding Owens’ home will host a group exhibition of sculptural and sound works from artists who live and/or work upstate including Kate Gilmore, Damien Davis, Heather Rowe and more. Gast will present work in the gardens, woods and small barn by artists who have been residents in the Sappho Room. Participating artists and poets will include Fabienne Lasserre, Hannah Hiassen, Paloma Barhaugh-Bordas, Candystore,  Margaret Namulyanga, Sean Prentice, Felecia Chizuko Carlisle and Charity Coleman.

Map to parking (use the lot next to Amenia Town Hall, both houses are just across the street)


 

The official 2021 UPSTATE ART WEEKEND map is below which was designed by Mósa Tanksley and will be printed in the August issue of Chronogram . There is also a google map which can be found here.

 

Para que haya fiesta tiene que danzar el bosque, un proyecto comisariado por Michy Marxuach en colaboración con múltiples voces transhemisféricas. 

Del 2 de julio hasta el 26 de septiembre de 2021

Esta exposición contiene una capa sonora de múltiples piezas a las que puede accederse a través de los móviles. Recomendamos que la visiten con sus auriculares.

Una conversación con lxs artistxs: Carla Zacagnini, Cecilia Vicuña, Chris Marker y Alain Resnais, Dominique Ratton, Ensayos (Christy Gast, Camila Marambio, Rosario Ureta,  Alejandra Figueroa, Hemany, Carolina León Valdebenito, Gabriela Mataloni, Nicole Püschel, Antonieta Eguren, Adriana Urciuolo,  Bárbara Saavedra, Carolina Saquel, Caitlin Franzmann, Hema’ny Molina, Carla Macchiavello, Denise Milstein, Randi Nygård ), Florian Dombois, Jochi Melero, Mónica Rodríguez, Onda Corta (Néstor Delgado y Maria Laura Benavente) y Transhemisférica (Jonatan Habib Engqvist, Luis Berríos-Negrón, Maria Kamilla Larsen,Taru Elfving y Michy Marxuach).

Seguir leyendo…

 

Owning Earth at Unison Arts is a new outdoor exhibition in the Unison Arts Sculpture Garden. 

Duration: June 26, 2021 – June 1, 2022

Free and Open to the Public, Dawn to Dusk Daily

Curator: Tal Beery
Assistant Curator: Erin Lee Antonak

Unison Arts Sculpture Committee Members:
Matthew Friday • Sarah Warren • Eliza Evans • Michael Asbill

The artists of Owning Earth challenge the intolerable cruelty of deeply entrenched systems of domination—over our environment, other species, and other humans–and imagine alternatives based on mutuality and reverence.

Artists: Sariah Park, Colin Lyons, Jean-Marc Superville Sovak, Brooke Singer, Christy Gast, Eliza Evans, Matthew Friday & Alex Young, Alejandro Chellet, Melinda Kiefer, Sam Spillman, Emilie Houssart, Eileen Wold, Eleanor King & Lucy Pullen, Michael Asbill & Derek Stroup, Joel Olzak, Sarah Max Beck, Robert C Beck, and how to perform an abortion (Maureen Connor, Landon Newton and Kadambari Baxi with Eugenia Manwelyan)

Owning Earth curator Tal Beery and assistant curator Erin Antonak are both nationally-known artists with longstanding connections to the Hudson Valley. Among other works, the artists in Owning Earth weaved flags created from site-specific soil profiles, laid patterns of the legendary Underground Railroad Quilt Code, erected monuments to bee democracy, and built outdoor laboratories to test radical climate solutions.

Visitors are invited to experience the exhibition at their own pace. A free self-guided audio tour can be accessed through QR codes on-site or by clicking this link.

New Museum artists in residence Ensayos premiered Act I of their experimental ecofeminist drama Cucú and Her Fishes on September 1, 2020 at 6AM, 2PM, and 8PM EST. The 2PM screening was followed by a Q&A with Ensayos cast members.

As part of our residency at the New Museum, Ensayos has produced a listening series entitled Hydrofeminist METitations with episodes focusing on our work in Norway, Australia and the Americas.

https://www.newmuseum.org/pages/view/ensayos-1

New Museum’s Department of Education and Public Engagement presents “Ensayos: Passages,” its first online artist residency, foregrounding the department’s year-round commitment to contemporary art and pedagogy centered on personal and social growth. The international collective Ensayos (translated as “inquiries,” “essays,” or “rehearsals” in English) will develop and present new work through this digital residency.

Ensayos is a collective research practice enacted by artists, scientists, activists, policymakers, and local community members. Sustaining their focus on the ecopolitics of archipelagos for the past decade, they have developed distinct inquiries into extinction, human geography, and coastal health. Their New Museum residency will be multifaceted, including a web series, podcasts, public programs, and an experimental performance.

Initiated in Tierra del Fuego, Chile, an archipelago known for its remoteness, biodiversity, and extreme conditions, Ensayos first focused on past and present issues impacting the region at the southern tip of Patagonia. In recent years, various configurations of Ensayos practitioners have explored the shared and localized extremes of the land, water, and life of archipelagos on three additional continents, including inquiries in Eastern Australia, Norway, and New York.

During their New Museum residency, Ensayos will open their intimate methodologies to a larger public. Their deep investigations consider collective identity, colonial history, multispecies communication, Aboriginal law, and the ethics of care in relation to wetlands, the sea, and coastlines. In order to contemplate ecological health from the microscopic to the global, the New Museum program will focus on how storytelling can offer possibilities for connection across remote geographies and diverse ways of experiencing the world.

Through a series of private online rehearsals, Ensayistas are developing the ecofeminist drama Cucú and Her Fishes. The New Museum will premiere Act I, an online production, in September. Several scenes of Ensayos’s speculative play will unfold simultaneously, as performers and participants find sensual and poetic methods of connecting and communicating about ocean health. The title and format are inspired by Fefu and Her Friends, a feminist play written and originally produced in 1977 by iconoclastic Cuban-American playwright María Irene Fornés (1930–2018).

Each month Ensayos will share a different practice and mode of storytelling with the public, including the Season Two premiere of the webseries DISTANCIA, a short-form, episodic reflection on property, representation, and belonging set in Tierra del Fuego; a divination card reading with contributors to a new issue of their periodical Más allá del fin/ Beyond the End, #3.5; and the release of their first series of podcasts Hydrofeminist METitations, three audio works that blend journalism, fiction, and guided somatic exercises.

Lead Ensayistas for the New Museum residency are Ensayos founder and director, curator Camila Marambio (Papudo, Chile) and artist Christy Gast (Amenia, New York), with Aboriginal legal scholar Dr. C.F. Black (Gold Coast, Australia), artist Ariel Bustamante (La Paz, Bolivia), artist Caitlin Franzmann (Brisbane, Australia), educator Sarita Gálvez (Naarm/Melbourne, Australia), artist Søssa Jørgensen (Skiptvet, Norway), art historian Carla Macchiavello (Santiago, Chile), sociologist Denise Milstein (Harlem, New York), Selk’nam activist Hema’ny Molina (Santiago, Chile), artist Randi Nygård (Oslo, Norway), dance-artist Amaara Raheem (Black Range, Australia), ecologist Bárbara Saavedra (Santiago, Chile), artist Carolina Saquel (Paris, France), curator Karolin Tampere (Lofoten, Norway), anthropologist Michael Taussig (Brooklyn, New York), artist Geir Tore Holm (Skiptvet, Norway), ichthyologist Lynne Van Herwerden (Magnetic Island, Australia).

“Ensayos: Passages” is organized for the New Museum by Emily Mello, Associate Director of Education, and Andrew An Westover, Keith Haring Director of Education and Public Engagement.

Programs

DISTANCIA Season Two
Premieres Monday, June 15
DISTANCIA, a short-form video series, is created to be broadcast online and uses fictive and sensual qualities to illuminate connections between humans and a fraught landscape. DISTANCIA, Season Two, contemplates life in and with Tierra del Fuego, countering narratives that presume meaning should be sought primarily through scientific observation, ethnographic documentation, and geographic analysis.

Ecofiction at the End of the World
Tuesday, June 23, 2pm EDT
This conversation on DISTANCIA, Season Two, will focus on ethical dimensions of storytelling and situated identity in relation to the landscape and feature Carolina Saquel and Camila Marambio, who imagined and realized the web series set in Tierra del Fuego; Ariel Bustamente, sound artist; and anthropologist Michael Taussig.

Hydrofeminist METitations Listening Series
New episodes launch July 20, July 27, and August 3
Drawing from Ensayos’s transdisciplinary work, this podcast series will focus on waters in different archipelagic regions, including Tierra del Fuego, New York, Eastern Australia, and Norway. The episodes are structured in four movements that mirror different aspects of Ensayos’s field research: fiction, fact, somatic exercise, and water care ethics. Each concludes with a song.

Fortunes of the ForestDivination, Dance, and Story 
Tuesday, August 18, 8pm EDT
Fortunes of the Forest is a participatory performance that encourages slowness, plant knowledge, movement, listening, observing, and response-ability. Drawing from her divination card deck (created with collaborator Man Cheung’s botanical photographs of plants, rocks, and insects found in the urban forest of Karawatha, Australia), artist Caitlin Franzmann is joined by aboriginal legal scholar Dr. C.F. Black and dancer Amaara Raheem to respond to the cards and audience questions, respectively. This program celebrates the launch of Ensayos’s online periodical, Más allá del fin/ Beyond the End, issue # 3.5.

Cucú and Her Fishes, Act I Premiere
Tuesday, September 1, Screenings at 6am, 2pm, and 8pm EDT
Ensayos’s experimental ecofeminist drama Cucú and Her Fishes casts their undisciplined research methods into cyberspace. Sharing a passion for ocean advocacy, nine characters drive the performance as they plan a second expedition to the bottom of the sea.

It’s Necessary to Talk about Trees

Polly Apfelbaum, Osi Audu, Julia Bland, Mary Carlson, Nicole Cherubini, Taylor Davis, Christy Gast, Tamara Gonzales, Zach Hadlock, Padma Rajendran, Halsey Rodman, Em Rooney, Arlene Shechet, Elise Siegel, Claudio Sebastian Stalling, Josh Tonsfeldt

River Valley Arts Collective is pleased to present It’s Necessary to Talk about Trees, an exhibition that evolves from the new non-profit’s focus on material and process, and its mission to serve artists of the Hudson Valley. This exhibition and related activities will take place in Catskill, NY at Foreland, a 175-year-old former textile mill that is currently being developed by artist Stef Halmos to house studios and galleries and to host cultural programming.

It’s Necessary to Talk about Trees presents work by a group of artists who express a unique sensitivity to the environmental and social issues that inform their practice. The exhibition title comes from Adrienne Rich’s 1991 poem “What Kind of Times Are These”⁠—an urgent question and a provocation⁠ in which Rich speaks allegorically of a forest that is haunted by the shadows of history. The poem’s conclusion, “It’s Necessary to Talk about Trees,” is a call to action that highlights how inspiration is found in the natural world and recognizes the power of art-making in troubling times.

The exhibition considers artists’ agency and their role as primary producers, the environmental factors that drive their work, and the generative power that renders visible what others seek to make disappear. Through the found and crafted, tactile and felt, these artists create tangible evidence of time and place.

This exhibition is on view from September 7 to September 29 (12 to 5pm) at Foreland, 111 Water Street, Catskill, NY.

Exhibition at CARPARK, Milani Gallery, Brisbane, Australia
Opening: Saturday, 7 September 2019, 5-7pm
Closing performance: Saturday, 28 September 2019, 2pm-4pm

Taking a liquid, archipelagic approach to loosening the knot of the mystifying ways in which things come to matter, Everything is possibly an oracle unfolds the imaginative seeing techniques, languages and sensing practices that Caitlin Franzmann (lead of the Australia research pod), Christy Gast (lead of the New York research pod) and Camila Marambio (founder of Ensayos) have been exploring together and apart for years. This time, their felting, weaving, dyeing, drawing, singing, divining, drifting, crying, wailing, tuning, hosting, dancing, filming, falling, writing and macerating conspire to soften the portals that channel the aqueous knowledge of bodies of water on this planet.

This exhibition is a part of Ensayos, a nomadic research program initiated in Tierra del Fuego in 2010. Ensayo #4 (Coastal Curriculum) involves research pods in Tierra del Fuego, Norway, New York, and now, Australia. The artists, scientists and scholars who partake in Ensayos meet intermittently to cross-pollinate and share their experiences with archipelagic intersections of identity, history, geography, language and law. In the weeks leading up to Everything is possibly an oracle, Caitlin, Camila, and Christy, along with Sarita Gálvez and Carla Macchiavello (also of Ensayos) spent time on the isles of Minjerribah and Canaipa and later also consulted the Brisbane River and the Enoggera Reservoir on the question of how to turn from meaning to mattering.

Ensayos honours the traditional custodians of the lands and waters were we roam and learn, including the Selk’nam, Yaghan, Kawéskar and Haush peoples of Tierra del Fuego and the Jagara, Yuggera, Turrbal, Quandamooka people of South-East Queensland. We give special thanks to Freja, Sonja and Glynn Carmichael, Sharon Jewell, Dale Harding, Helen Franzmann and Denny Ryan, Kathy and Peter Franzmann, Kyle Weiss, Lawrence English, Christine Black and Mary Graham.

This project is supported by the Queensland Government through Arts Queensland.

Friday April 12, 2019 from 12-1pm at MoMAZoZo’s Lyric Theater. Visiting artist Christy Gast will host a Cari-blow-blow “singing practice.” Gast is a sculptor, performer and video-maker who incorporates singing (with others when possible) into her art making practice. Inspired by composer Pauline Olivaros’ deep listening exercises, we will listen to the wind and make an improvisational song. Whoooooossssshhhhh KRASH see you there!!! 

Visiting Artist Lecture at University of Rochester: 4 PM, March 5, 2019 in the Gowen Room

Printmaking Workshop: 9:40 AM – 12:20 PM in Sage Art Center Printmaking Area, open to the public

Supported by the UCIS Cluster Arts at UR and the Department of Art & Art History